This is my favorite photo from my fashion editorial with
Montana Bride magazine, so I decided to post it all by itself. This photo embodies the concept I created for
this shoot perfectly. I really wanted to
create a fashion editorial with a wedding theme using designer wedding gowns and
a pair of models as the bride and groom.
Above all the concept was a fashion editorial, not a wedding styled
shoot, or a bridal shoot. To me, this is
the photo that most directly speaks to the concept I created, and that’s why it’s
my favorite from the series. I am very
thankful to have worked with such a talented team of professionals to pull off
this shoot. Making fashion editorials
takes a team effort and this shoot wouldn’t have been possible without everyone
listed below. Thank you team! I promise to post more outtakes from this shoot
soon!
Photographer: Paul Bellinger @pjbellinger
Styling: Katalin Green @katalingreen
Hair and makeup: Sydney Ross @greenbird406
Models: Arley Knerr @arley_knerr with @rmea_talent and Braydon Sinclair
Dress: ti adora by Alvina Valenta @tiadorabridal @alvinavalenta @jlm_couture
Hairpiece: Paris by Debra Moreland
Bowtie: Hitched Bowties
Men’s Clothing: Jim’s Formal Wear
Stylist assistant: Brett Conner
Photo assistant: Zak Jokela
Location: Paul Bellinger Photography
Tips for brides:
In case you missed it, (https://www.facebook.com/pages/Montana-Bride-Inc/256864520550)
the new issue of Montana Bride magazine is out, go find them on facebook to see
where you can get a printed copy. Give
them a follow for daily wedding inspiration where style meets the real West!
Tips for photographers:
I love this photo because of the mood created by the pose
and the eye contact with both models.
The light is buttery soft yet directional so there is nice play of
shadow and dimension on the models faces and wardrobe. This photo is lit with only one light, a
strobe placed inside of a white V-flat out of the frame to the camera left, and
a 4x8’ white reflector out of the frame to the camera right. The V-flat is a
great tool in the studio, and it consists of two 4x8’ reflectors being taped together
vertically to create a foldable 8 foot tall v shaped reflector that can stand
on it’s own when folded at the taped seem in the middle to create a V shape
(follow me on instagram @PJBellinger to see a behind the scenes photo of Zak
and the V-flat in a similar lighting set up).
Mine has white on one side and black on the other side so the white side
can be used as a reflector, and the black side can be used as a flag to block
light or as a “negative fill” to absorb some of the light (the opposite of a
reflector). In this case the V-flat is
in the narrowest V formation possible with the opening facing the models and
strobe shooting away from the models into the narrow end of the V, which
creates a very soft bounced light. The
light is similar to an 8 foot tall by 2 foot wide softbox (or stripbox). My awesome assistant Zak placed the V-flat
directly to the side of the models, but in front of them about a foot or
so. This placement further softens the
light as only a feathered edge of the light is falling on the models and
background. The reflector was aimed
directly at the models and was placed directly across the frame from the
opening of the V-flat so there is a lot of soft bounced light on the shadow
side of the models making for a very soft transition between light and shadows. I like this lighting technique because the
soft light is flattering for everyone so it’s a versatile technique I can use
often in the portrait studio. Check out
my portrait website to see if you can spot some corporate headshots where I
used this type of lighting: http://www.portraits.paulbellinger.com
Thanks for reading! I
am very passionate about photography and I love to share my ideas on the
blog. If you are looking for a wedding
or portrait photographer in Billings Montana please visit my wedding website
here: http://www.paulbellinger.com
And my portrait website here: http://www.portraits.paulbellinger.com
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