Montana Bride magazine featured an early look at spring/summer 2015 fashions from two outstanding designers, Theia and ti Adora by Alvina Valenta. The Theia dress is featured here and it is truly something special with intricate bead work and sleek silhouette for an elegant and luxurious look. My jaw dropped when Katalin (the stylist for this shoot and publisher of Montana Bride magazine) pulled this dress out for the shoot. Katalin has the best eye for style in Montana, hands down, and the connections to get us these dresses straight from the New York bridal fashion runways. We had an exceptional team for this shoot and it wouldn’t have been possible or successful without everyone on the team. Thank you all!
See previous photos from this shoot here.
Photographer: Paul Bellinger
Styling: Katalin Green
Hair and makeup: Sydney Ross
Models: Arley Knerr and Braydon Sinclair
Hairpiece: Paris by Debra Moreland
Bowtie: Hitched Bowties
Suspenders: Jess Leather
Wedding band: Montague’s Jewelers
Men’s Clothing: Jim’s Formal Wear
Stylist assistant: Brett Conner
Photo assistant: Zak Jokela
Location: Paul Bellinger Studio, Billings Open Studio
Tips for Brides:
There is a lot that goes into picking out the perfect wedding dress. You want something that fits your body type, your personal style, your wedding theme, and your pocketbook. Few people have more expertise in making sure you get all of these things and more than Katalin Green, the stylist for this shoot, publisher of Montana Bride magazine and owner of Avant Bridal, an intimate bridal boutique where you can meet with Katalin herself so she can help you pick out the perfect dress. Get in touch with Avant Bridal on Facebook here.
Tips for photographers:
There a few different lighting techniques featured here, including natural light and studio strobe. The first photo is lit with one large beauty dish (mola setti I believe, it’s about 3 feet wide) about 10 feet away from the models and the shadow on the background gives away the placement. The two photos on the black background are lit with window light. The window is closed down with the curtains so that the opening is about 3 feet tall and 2 feet wide with the opening up high, above 6 feet. This use of the window light resembles a high beauty dish (or softbox if it’s cloudy outside). The models were surrounded on three sides by black, either a wall or the black side of my V-flat reflector to eat up the light spillage (also known as negative fill) to accentuate the fall off define the shadows more. The remaining white background photos were all lit with one light, a bare strobe about 12 feet away from the models creating a hard, edgy light that I love in black and white.
I am proud to call myself a Montana wedding photographer and I love to mix studio work with my wedding work, which usually takes place out on location. I am always working to improve my photographic craft so that I am at my absolute best for my clients, whether it’s a wedding day or a marketing campaign. It would be my honor to be your photographer. Please visit http://www.paulbellinger.com for more info about my wedding photography.