I cannot stress enough how important a great looking
headshot is these days. There is simply no getting around the fact that most
potential customers will get a first impression of you online before meeting
you in person. To make the most of those first impressions you need the best
looking headshot you can get, which will help your potential customers make a
human connection with you, even through a computer or phone. If you think about
it, your headshot will be used a lot, and not just in marketing. You can use it
for your profile photo on LinkedIn, Facebook, Twitter, Instagram, etc. and on
your website. You can even use a headshot on your business cards and in your
email signature to make a human connection every chance you get. Because it’s
so important to have an awesome headshot I’m giving everyone my best headshot
tips, so everyone knows how to get the best headshot they can get, whether they
book with us at Paul Bellinger Photography, or with someone else. If you’re new
to the blog, you might want to check out Tip #1 here first, and follow the
links to Tips 2 and 3.
Tip #3 is below.
Tip 3: Go horizontal and crop the head! This is a great tip
because almost anyone can do this right now without even having to get a new
headshot, just crop the one you have and tell your photographer to shoot
horizontal next time. If you’ve looked around on this blog, or on my website
you’ll see I only show horizontal headshots when it comes to professional
business headshots, and they’re all cropped very tightly into the head. Why
have we gone for the horizontal head crop? The main reason is because today’s
devices are almost all horizontal, with widescreens being the new standard on
computers, TVs, and mobile devices. As a result, most web developers and social
networks display horizontal images more prominently than vertical images, with
more real estate devoted to horizontal images. So if you have a horizontal
headshot you increase the chances people will see it, and people are more
likely to take note of it and make a human connection if they do, because
you’ll be utilizing as much space as possible. But why the tight head crop? For
the same reason we want your headshot to appear as big as possible, we also
crop off the top of the heads and most of the body, so more real estate is
devoted to what we really want people to see: your eyes! Cropping the head is
necessary to make the eyes as big as possible in the photo and we don’t want to
waste unnecessary space on the background above the head. It’s all about the
eyes! The look in a person’s eyes is what tells the whole story about who they
are, and that’s why looking into someone’s eyes is such an important human
connection. By giving as much real estate as possible to your eyes, your
chances of making a human connection will dramatically increase. That’s also
why we want to keep headshots cropped very tightly around the head, and not
include much of the body at all. Vertical headshots and portraits tend to
include far too much of the body, making the eyes too small to make a human
connection with the eyes. Take a look at your current profile pics, if you
can’t see your eyes very clearly then you need to crop it tighter!
For these reasons, the horizontal head cropped headshot is
very popular right now, it’s the biggest trend in headshots in the major
photography markets in New York City and Los Angeles. So naturally people are
associating a horizontal headshot with being very modern, while the vertical
headshot is starting to look more traditional and maybe even old-fashioned. Cropping
into heads is also very common, it’s very popular in magazines, especially
fashion magazines. Just look at any magazine rack and you’ll see head crops
everywhere. Again the head crop is thought to be very modern and in fashion. Just
as an FYI, I always include the whole head during my sessions and deliver
cropped and uncropped versions, just in case anyone needs the top of their head
for something! If you didn’t read it already, check out Tip #2 here!
Tips for photographers: This is my favorite setup for
headshots. I’ve written about the lighting setup here,
so you’ll have to read about it there. But I want to mention here that I
generally prefer some type of beauty lighting setup for headshots, which means
a lot of soft light that is flattering for all skin types. To get the light as
soft as possible you bring the lights as close to the subjects face as possible.
Bringing the lights close has the added benefit of creating very fast falloff, which
slims the face and creates dimension, ensuring that your portraits are
flattering but don’t ever look flat. For the most part, all you need is one
light with the biggest soft light modifier you can get (a big white umbrella is
nice and cheap), and a reflector or two, which is what you use for “clamshell
lighting,” the traditional standard for beauty lighting (Google it!). For
people that want to look at little more badass, I like to adjust the ratios of
my lights to create directionality and shadows, but I’ll leave that tip for
another day.
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